Build Your Own Data Logger – The Sensor, Heart of the Logger

The first thing that can do things that actually DOES things for the TECHNOSEUM: A data logger that records the climate in a certain area of our museum.

The “Q-Tip-Logger”, a simple logger that writes temperature and humidity to a SD card

Quite to my surprise the last post about building a data logger caused quite a discussion. As I mentioned, this is not concurring with professional solutions. It’s an alternative for people who like to build things or who are searching for ideas for projects when cooperating with schools and STEM classes. For someone who isn’t keen on learning something new, maybe a bit unusual and building something, this project is not interesting. For someone who has a sufficient collections care budget to buy professional loggers and send them in for calibration regularly it might be interesting anyway to compare the professional loggers with the DIY versions. For someone with a collections management budget next to zero who sees a chance to find sponsors for buying the parts if he or she initializes a cooperation project with a school group, it opens up the possibility to have an alternative to the cheap loggers from the hardware store and spark interest for collections care in young people at the same time.

The critical questions – which I really appreciated – made me switch the order of this guide: instead of starting with the main parts, the arduino and the data logger shield, I start with the very heart of the logger: the sensor.

The sensor is the part that decides how good or bad the logger is suited for its purpose. No matter how careful you are building your project, if the sensor is bad, the results will not be satisfying. On the other hand, good sensors have their price. Like often it’s up to you to weigh the pro’s and con’s and decide how good your sensor has to be for your purpose. What helped me a lot were the tests conducted by Robert Smith with the most used sensors in the hobbyist sector, the DHT11, DHT22 and SHT71: http://www.kandrsmith.org/RJS/Misc/Hygrometers/calib_dht22_dht11_sht71.html. This comparison, together with his previous analysis of six DHT22 sensors made me use the DHT22/AM2302 which measures temperature and relative humidity for my projects.

Der DHT22, auch unter der Bezeichnung AM2302 zu finden.

The DHT22, also named AM2302.

Under real testing conditions it doesn’t reach the +/- 2% accuracy in measuring relative humidity mentioned in the data sheet on page 3 (which would have been a real surprise as only really high-prized loggers reach that accuracy in real life) but they bring good enough value for the money invested in my opinion. It can be found in electronic stores, in the adafruit store or on ebay and is easy to integrate into a project.

Sensors are generally not built for eternity. That’s why you have to send in the professional loggers for calibration. Fortunately, there is a method for testing loggers for accuracy by using saturated salt solutions described by Samantha Alderson and Rachael Perkins on the website of Connecting to Collections Care: http://www.connectingtocollections.org/wp-content/uploads/2012/03/Calibration-using-saturated-salt-solutions.pdf
That’s what you should do with your homebrew loggers, too. You can even built a little testing device so you only have to expose the sensors to the test, not the whole logger.

Before you let your logger log the first time you should check it against a reliable professional device. In two occasions I found linear differences between my own logger and the other device (for example one was always 1% below the reference device), which I could correct in the software. Then it’s important like I already mentioned to check your sensor regularly. If the sensor is not reliable anymore you should replace it. That’s where the price of about 9 USD comes in handy.

So much for the sensor. The next part will be about the arduino and the logger shield.

Angela Kipp

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Increasing Accessibility for Visitors Who Are Visually Impaired: Simple Solutions for Small Museums

by Janice Klein and Chuck Dean on April 05, 2016, originally published on the AASLH Blog

The 25th anniversary of the Americans with Disabilities Act (ADA) has provided museums and museum associations the opportunity to review and reflect on the ways in which visitors with disabilities can be provided with improved access to museums. Recent professional development workshops, webinars and magazine articles have shown how a number of museums have created programs that provide imaginative new ways for their visitors with disabilities to experience museums. Unfortunately, many of these ideas provide access to only one exhibit or require extensive time or money to implement.

 Chuck Dean demonstrates the use of the KNFB Reader app on his iPhone at the Scottsdale Historical Society Museum.


Chuck Dean demonstrates the use of the KNFB Reader app on his iPhone at the Scottsdale Historical Society Museum.

This article focuses on visitors with visual disabilities for two main reasons. First, there are more than 800 diseases of the eye and they present themselves differently in different people. Some people who are visually impaired can read large text or Braille; some can’t read either. Some see better in bright light, and for some bright light totally obscures or fractures what they see. Basically there is no “one thing” that works for everyone.

Secondly, the development of smart phone apps has revolutionized the way that people who are visually impaired go about their daily lives, from travel using individualized GPS directions to access to a wide range of published materials via screen-reader and OCR apps. 1 Museums are just beginning to explore how they can use these relatively inexpensive technological advances to make themselves more accessible.

The very best way for people who are visually impaired to experience a museum is a docent tour. Of course that can be difficult for most museums to provide for every exhibit space throughout the entire building. There are, however, three very simple things that all museums can do to make their exhibits more accessible to visitors who are visually impaired:

  1. Put your label text (and any other written materials you have, like gallery guides) on your website in a format that can be downloaded. You’ve written it all out anyhow. People who are visually impaired can access that information in the way they find most useful. They can print it out at home as large text or Braille and take that with them on their visit to your museum. At the museum they can read it directly off the website with their smart phone using a screen-reader app.
  2. Use QR codes as part of your exhibit label to provide links to the information on your website. While QR codes haven’t been as successful for marketing as people hoped (to put it mildly), they are perfect for this purpose. In fact, in our opinion if museums were to do one thing to be more accessible, it would be to add QR codes to labels. A visitor with a smart phone can scan the code and hear the text (again using a screen-reader app). There are also smart phone apps that will scan the label itself and read it to the user. Some will even tell the user when the phone is “square” to the label and translate into one of over 200 languages. (BTW make sure your security guards know to allow visitors to “take pictures” of the label for this purpose).
  3. To make your labels and QR codes really useful, be consistent about where you place them (e.g., lower right corner of the case; 3 feet high and one foot to the right of the painting) so that they are easy to find. Using a separate standard sized frame for the QR codes would also be helpful. Ideally, all museums would agree on the same location for QR codes, but at least you can tell your visitors where to find yours.

None of these solutions is difficult or expensive, but would make all the difference in your museum being accessible.

About the Authors

Janice Klein is the Executive Director of the Museum Association of Arizona. She has worked in the museum field for more than 30 years and has served as Chair of AAM’s Small Museum Administrators Committee and on the AASLH Small Museum Committee.

Chuck Dean worked as a tool and die maker until he was diagnosed with Stargardt’s disease (juvenile macular degeneration) in his early 30’s. Since becoming legally blind he has managed his own business as a licensed massage therapist. He is an avid technology-user and has been using smart phone apps to assist in his travels (and museum going) for more than 10 years. He is a regular contributor to the Apple Vis Website and ViPhone Discussion list.

  1. *Standard screen-reader apps are TalkBack on Android phones and VoiceOver on all Apple products. OCR apps include ABBYYTextGrabber and KNFB Reader.
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Build Your Own Data Logger – Quick Start Guide

The first thing that can do things that actually DOES things for the TECHNOSEUM: A data logger that records the climate in a certain area of our museum.

The “Q-Tip-Logger”, a simple data logger that logs temperature and humidity to a SD card.

Like I promised before, here I show you how to build a data logger with the arduino. I want to do this step-by-step so you can follow the development and considerations that led to “our” logger. Many considerations had to do with the necessities of everyday museum work and so they might be of interest even if you don’t plan to build your own logger but want to hand the project over to your STEM group or your museum’s DIY club. For the impatient reader who has already did some building or raises a technology nerd, here comes the parts list, wiring scheme and code and some considerations for a good head start.

First of all: of course there are commercial products for this task and I don’t want to concur with those. But often I see that colleagues can’t afford the professinal solutions and therefore buy cheaper loggers that are not suitable for the task. Here, building it yourself can be an interesting alternative. Because it’s you who decides on which components to use you are the one who decides on the quality. And because you built it yourself you can maintain and repair it yourself.

Another remark: Wiring and code worked well in our setup but I can’t take responsibility for any damage that is done because you built your logger according to this guide.

What the device does:
This logger logs the current temperature in degrees Celsius and the relative humidity in percentage, then writes this data along with the date and the time as comma separated values to the file MyLogger.csv. This file can be imported into a spreadsheet software for further processing.

Needed Components:

  • 1 Arduino Uno
  • 1 Logging Recorder Shield with SD-Card reader and clock
  • 1 Temperature and humidity sensor (used here DHT 22 / AM 2302)
  • 1 Minibreadboard
  • 1 LED red
  • 1 LED green
  • 1 resistor 200 ohm
  • 1 resistor 100 ohm
  • 1 resistor 10 kiloohm
  • Breadboard cables
  • 1 SD-Card (because only small data is stored this is quite deliberate, I used a 2 GB card)
  • 1 power adapter (230 V AC to 9 V DC)
  • Case according to personal preferences

Wiring scheme:

logger

Arduino Code:

The code is based mainly on examples provided with the libraries used. It might be that I have drawn certain solutions from the web and haven’t noted the source. Should someone discover his/her code used here, please drop me a line so I can give propper credit.

The Casing:
Unleash your creativity here. I used a cardboard box that was roughly the right size and cut openings for the cables and the SD Card into it with a cutter. The only really important thing is that you can operate the reset button on the shield. You can spare it in the casing, we used a q-tip with a broad plastic peg on one end so the reset button is pressed reliably.

Improvements:
By looking close you realize that this project was an emergency response, designed to be quickly available. So, there is room for a couple of improvements.
Instead of the mini breadboard it is logical to solder the components to the logger shield wihich has already a built in prototype board. The only thing to think about is that the sensor has to be outside of the casing because the outside climate should be monitored.
Then, the logger remains comparably numb. To know about your climate, you have to read the SD card or plug in your laptop ans see what the serial monitor tells you. A LCD shield would be a comfortable solution to this issue – and you could skip the LEDs and print the error messages on that LCD monitor.
Last but not least a LAN or WiFi shield could send the data to the web.

Have fun experimenting!
Angela Kipp

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Spreading the word: explaining what Museum Documentation is – and why it’s important

Co-authored with Rupert Shepherd, a talk delivered on 4 July 2016 at the 2016 CIDOC conference, held within ICOM Milano 2016.


Spreading the word title slide

Title slide from ‘Spreading the word’

Rupert: In December 2013 I visited a major museum in London. There, I saw a box for donations which gave a choice: did I want my money to be used for conservation, or education? But why couldn’t I choose documentation? As we all know, a museum cannot function without it.

But documentation, like other aspects of collections management, usually takes place behind the scenes, hidden from the public. So I came up with a simple idea: that people working in documentation should try and tweet, every day, what they were doing and, crucially, why it was important, using a specific hashtag: #MuseumDocumentation.

Since then, the hashtag has taken off: in one month recently, it saw more than 500 tweets from over 200 contributors, reaching more than 150,000 accounts in a single week. People have used it in many different ways. Some have been reminding us of the importance of good documentation as a whole.

https://twitter.com/KatieAliceHobbs/status/736643500947693568

Others have been doing that classic Twitter thing, and tweeting about what they’re doing.

The hashtag has been used to send out requests for help; or to announce events for documentalists – on Twitter or in the physical world.

We use it to share good practice or documentation skill, and to share things that might have been done better.

And of course, it’s been used to tell some of the stories that we find every day in museums’ documentation.

Sharing things that spark our interest, the #MuseumDocumentation hashtag has given me a feeling of community, shared effort, and mutual support. But has it influenced the museum sector more widely? Here I’m less certain. In March this year, a group of national organisations representing museums in the UK ran a survey. One question listed 16 different kinds of work that museum staff could be doing – and documentation didn’t feature at all; neither did collections management.

2016 UK musuem workforce survey screengrab

Screengrab of question 11 from 2016 UK museum workforce survey run in March 2016 by Arts Council England, Museums and Galleries Scotland, The Museums Association, and The Association of Independent Museums

Of course, conservation and education were there: nothing seemed to have changed since I saw that collecting box in December 2013.

Angela: When I saw this survey, I was stumped. Since we started Registrar Trek in 2013 a handful of authors and a whole bunch of translators from around the world have tried to make the work of registrars and collections managers more visible to the public. Seeing neither collections management nor documentation on that survey was sobering, and I worried that we’d been doing something wrong.

On reflection, I think that we didn’t do enough. Decision makers and the public have still not recognized that our work is important.

But couldn’t we just put our job title in the ‘other’ field and go back to the stores? Why don’t we forget about the social media stuff and mind our own business?

Because this would be a very dangerous thing to do. The internet and social media have changed the world. Today, if you don’t speak about what you do, no one believes it’s important! In the days before Twitter, when the train was late we complained to our fellow travellers. Today, you will tweet the train company to tell them that their service is rubbish, and hopefully they will tweet you back with apologies and information.

There is active communication going on, and even if the explanation for the delay sounds flimsy, you can see that work’s being done behind the scenes. If they don’t get back to you, well, you assume that there isn’t anybody working, apparently not even the train driver.

This is why it is so dangerous that our professions didn’t appear in the survey. As well as the public, they are hidden from museums’ most senior managers, governing bodies, and funders. At best, the people who decide on where the money goes don’t know about the documentation work that is being done in a museum; and at worst, they may think it is not important.

Rupert: So, what can we do to make our voices heard? One way is to keep using the #MuseumDocumentation hashtag, but try more often to follow my original intentions and say why our work is important. This isn’t always easy: it can be quite difficult finding a new way of saying for the tenth time why tidying a spreadsheet for import into a database is important.

So even I’ve not been managing a daily tweet about what I’ve been doing.

Angela: But it’s still worthwhile in more ways than one. Using this hashtag challenges you to think about what you did all day.

Nika Novak cataloguing at the TECHNOSEUM

Nika Novak cataloguing an item in the TECHNOSEUM’s newly-acquired broadcasting collection in 2015. TECHNOSEUM, Foto Hans Bleh

Documentation: cataloguing, maintaining database, writing a report template to generate display labels from the database, streamlining a procedure, tidying a spreadsheet for data import, updating an authority list, writing training materials…

Angela Kipp scanning a barcode at the TECHNOSEUM

Angela Kipp scanning a barcode whilst recording a radio’s change in location at the TECHNOSEUM. TECHNOSEUM, Foto Hans Bleh

Collections management: packing, tidying, preparing a loan, reporting an accident, checking moth traps, ordering archival material, updating location entries, correcting measurements in the database, defining the location name for a new shelf…

Most of the time, collections managers and documentalists are so caught up in multiple tasks that at the end of the day it’s really hard to say what you did, and you might even feel that you got nothing done. But when you think about it, you did a lot of things that were important, interesting, challenging or simply funny. Now your challenge is to say this in just 140 characters, 20 already taken by the hashtag. It might seem impossible at first, but with a little practice it’s quite fun. Take a look at the hashtag on Twitter to see how other colleagues have done it.

If this feels like too much, then, at least to begin with, anything tweeted using the hashtag will help.

But let’s think more broadly: as documentalists, registrars or collections managers we are working in a goldmine – of good content. Whenever I go through our database, I encounter things that ‘wow’ me: things I didn’t know, or interesting stories. For example: did you know that there exists an electrical household appliance for heating your beer to your preferred drinking temperature? Or that the TECHNOSEUM has 473 soldering irons which helped win a world record? And when it comes to cat content, rest assured that we’ve got that one covered…

A tin for gramophne needles, decorated with a picture of a cat playing with the needles

A tin for storing gramophone needles, advertising the Herold brand of needle, Nuremberg, Nürnberger-Schwabacher Nadelfabrik GmBH, 1920-1925, museum number EVZ:1989/0804-001. TECHNOSEUM, Mannheim, via the TECHNOSEUM online catalogue.

It’s time to share that gold. If your institution has a social media manager, show them those interesting things: remember that they are not as close to the objects and the documentation as you are, so won’t find those facts on their own! You will enrich the content the museum shares with the public, and show your colleagues that if they need interesting facts, stories or pictures, it’s best to contact your documentalist or collections manager. You will have raised the profile of museum documentation.

Rupert: If there is no social media manager or press officer, well, it’s time for you to share those things yourself. The Horniman Museum’s Tumblr account was placed in the hands of documentation and collections assistants – and won a Museums and the Web ‘Best of the Web’ award in 2014.

The Social Media Best of the Web Award won by the Collections People Stories review team on the mantelpiece at the SCC

The Social Media Best of the Web Award won by the Collections People Stories review team for their In the Horniman Tumblr blog, on the mantelpiece at the Horniman’s Study Collections Centre. Horniman Museum, London.

So:

  • Tweet under the hashtag #MuseumDocumentation what you did and why it is important
  • If you see a tweet that was made possible because of documentation, retweet it and comment with the hashtag

  • Write a story or an article about what you did or what you discovered for Registrar Trek or a similar blog
  • Use a blog, Twitter, Facebook, Tumblr, Vine, Instagram or whatever you like best to make your work more visible

Who knows – you might be asked to put on a display about your work.

Norsk Folkemuseum collections management display

A collections management display at the Norsk Folkemuseum, Oslo, in October 2018. Photo: Rupert Shepherd.

Norwich Castle Museum's documentation display

A documentation display at Norwich Castle Museum, photographed in January 2016. Photo: Rupert Shepherd.

Norwich Castle Museum's MODES display

A MODES display at Norwich Castle Museum, photographed in January 2016. Photo: Rupert Shepherd.

Certainly, the more documentalists and collections managers are visible on the internet, the harder it will become to forget about our professions!

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Registrar Trek goes Milano!

Dear Registrar Trekkers,

I’m all excited that I will present a short paper together with Rupert Shepherd from the National Gallery in London at the CIDOC Conference in Milano. It is called ”Spreading the word: Explaining what Museum Documentation is and why it’s important“. We are part of the ”Introduction to Documentation Standards“ session that is scheduled for the 4th of July, 4 to 6 p.m.

photo by hikersbay via pixabay

Duomo di Santa Maria Nascente (photo by hikersbay via pixabay)

At the moment we are finetuning our talk which will be about the importance of initiatives like the hashtag #MuseumDocumentation, this very blog and all other projects who aim to make documentation and collections management more visible for the public and decision makers.

As the CIDOC conference is part of the big ICOM conference it will also be a great opportunity to meet colleagues I haven’t seen in years as well as meeting people I know so far only from the internet. I’m especially excited that I will meet our Italian translator Marzia Loddo in person. 🙂

And of course, I will write a short report on how it’s been when I’m back. Don’t forget to follow the hashtag #CIDOC2016 if you want to know what is going on.

See you in Milano!
Angela

This post is also available in Italian translated by Silvia Telmon.

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Nomenclature 17.2 – A Registrar’s Vision

CC0 - by Master Tux via pixabayOkay, I have a vision flashing in front of my eyes as I go through the database cropping photographs and renaming artifacts. Like the toasting fork that had been catalogued as a Pan, Roasting. My vision is of the future of the ungainly, poorly bound green book that tells me what I am and am not allowed to call these objects. Some of these things are difficult for a child of the mid twentieth century to identify. So I am seeing a future digital version of Nomenclature, and if you are willing to fork out the extra bucks, you get a version like Leafsnap where you photograph the item on your portable device and show it to the Nomenclature 17.2 program and it says, aha! And you say eureka! Because the device tells you what to call the item. How cool is that?

Anne T. Lane

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Have a great time at ERC 2016 in Vienna, dear colleagues!

As we are close to the opening of the European Registrars Conference in Vienna, I wanted to send a quick reminder that we are glad to post session reports or general reviews and impressions about the conference at Registrar Trek. We already got some volunteers (thank you so much!) but we also have enough web space to post more reports. 🙂

I’m glad to inform you that Else Prüstner from the Steering Committee dropped me a line saying that the organizers are glad to provide information and help for our reporters. The ARC (Austrian Registrars Committee) colleagues who are with the organizing group will be visible at the conference, so just ask them for assistance if you have questions.

Have a wonderful time!
Angela

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Unmanaged Collections is here – We celebrate with “The Outtakes”

As you know, I was taken a little by surprise by the publishing of “Managing Previously Unmanaged Collections”. Now, after I recovered, I’d like to celebrate with you, the readers of this blog and faithful supporters. I thought I’d compile a couple of “outtakes”, things and stories that didn’t make it into the book.

The Cover
ManagingC1-1oldI received a few compliments for the cover. Thanks a lot. Actually, the first cover looked a little different, as you can see in the picture.
As much as I loved the idea of having something shabby and chaotic and something clean and well-ordered on the cover I thought it didn’t convey the message clear enough, besides the fact that one could assume the bottles were emptied while writing the book…
I experimented with alternative pictures when Bernd, my colleague and significant other said “You know what? I think we can do it better!” A couple of hours later we were equipped with a collection of old toy cars, archival materials and camera equipment. We experimented with different setups which, quite to our surprise, revealed that a bunch of cars bagged and labeled looked a lot more chaotic than a line of cars without labels. So we ended up with the “parking lot of toy cars” you now see on the cover.
For those who desperately tried to match the cars of the picture below the title with the ones above: sorry, the upper ones are German while the lower ones are probably from the U.S. – and they never met each other.

More Stories!

There were a lot of awesome stories about unmanaged collections I heard along the way and I would have loved to publish them all. However, it didn’t always work out. Sometimes there was a change in upper management and people didn’t get permission, sometimes the work contracts ran out before the submission was approved, sometimes life just got in the way in some other form. I hope that I can publish some of these stories here on the blog some time in the future.
However, there was one story that always brought a smile on my face when I thought about it, but one I couldn’t use because… well, I somehow managed to delete that email and that way couldn’t get back to this person to ask permission. And even if I had the mail, I’m not sure if it would have been appropriate to publish it in the book. However, I think here is the time and place to share my smiles:
This person was interviewing for a position to manage an unmanaged collection. When they showed him/her the collection that was, as far as I recall, a shack crammed with objects from roof to floor he/she exclaimed “What the f**k??” Out loud in front of the people responsible for hiring. And got the job.

Curious Corrections!

My dear friend and colleague Darlene Bialowski certaily spent a crazy amount of time on this book project, helping me with corrections and conundrums. More than one time those corrections were not only helpful, but also hilarious. Like, when I discovered that yes, there is such a thing as too much documentation or when I asked her for the correct American term for the German “Sägebock”, sending a picture, and she answered: “‘the best assistant of the non-human variety’ tool I adore is called a ‘sawhorse’.” I don’t know how often I passed this phrase along since then…
When the final proofs came she realized that in one real-world example I used the term “tin can” and until she saw the picture of what it really was she always thought of it as, well, a can in which food is preserved. Only when she saw the picture she realized that it was actually a coffee pot. To correct this ambiguity I nearly ran out of correction signs:
correction oddity1

More Pictures!

When I was negotiating the contract the editor told me they would like to have pictures. I was so convinced that no one would be willing to share the crammed shacks of objects that I insisted on no pictures in the contract. To be honest, at this point I wasn’t even sure I could talk anyone into sharing real-world examples in written form…
Then, as I was collecting real-life stories I found many colleagues actually had pictures. Unfortunately now I already told some contributors that I don’t need pictures… I did what I always do when in doubt: I sent a mail to the RC-AAM listserv. I asked if anyone was willing to share their before/after pictures from their collections. I was delighted to receive a whole bunch of awesome unmanaged collections that became managed and most of them made it in the book.
One, however, I received after the deadline. It is Alicia Woods’ favorite picture of the place you will find in the book under the title “Artifact Morgue”:
Artifacat Morgue
That mannequin leg sticking out from between the shelves says all about unmanaged collections doesn’t it?

Cheers,
Angela

This post is also available in Russian translated by Helena Tomashevskaya.

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Ooops- Managing Previously Unmanaged Collections is already out!

Yesterday, I was taken by surprise when our library sent me a mail that they had just received their copy of “Managing Previously Unmanaged Collections” and were about to catalog it. Two hours later I received an email from my dear colleague Susanne Nickel with congratulations as she received her copy. Throughout the whole day, while I was desperately waiting for an important transport to arrive at our museum, the mails from contributors saying “just received my copy” hit my inbox. It seemed like literally EVERYBODY had my book in hand before me.

When I finally came home my heart missed a beat when I saw a parcel sitting in my backyard – soaking wet in the pouring rain. But fortunately, when I opened it, all was well:

P1020449 (2)

The best news is: My publisher, Rowman & Littelfield has provided a special perk for you, our faithful readers: you can get 30% off the list price if you order it directly from them, see this flyer for details (unfortunately, this is only valid for U.S. orders):

Managing Previously Unmanaged Collections Flyer

Now, with one day delay I finally managed to inform you all. Thank you so much for the support and I’m about to produce a more thoughtful celebration post. 🙂

Cheers,
Angela

This post is also available in Italian, translated by Marzia Loddo and in Russian translated by Helena Tomashevskaya.

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Beyond Shelf Life – A Registrar’s Garden Bench

Getting new shelves is good news for every registrar. More storage space, better storage conditions, you name it. But for some it doesn’t stop there. You know the wooden planks that keep the shelf parts separated on the pallets? Well, look what my colleague Bernd just built from it:

bench

The plan is an adaption from Jay’s Custom Creations.

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