It’s a strange thing. The topic of hazardous materials in collections pops up every once in a while but as human beings we tend to forget about it because we consider that – of course – we know these hazards are there, but, then again, we are rather sure we know our own collection well and that if we act according to our safety precautions we are safe.
When mercury was found in the air in one of our storage areas during a pollutant analysis, I was shocked and surprised. Of course I knew we had mercury in our collection. We own a considerable number of thermometers and mercury switches. But until this day I considered our handling instructions and other precautions safe enough. This mercury was all contained, right? Yes, it was. But we never had thought of other sources, open sources that were hidden in our collection.
Discovering open sources of mercury & lessons learnedAs we started to research our objects through the lens of “mercury” we discovered that, in fact, there were a couple of objects we never thought of. It turned out that there was an automatic organ which operated with contacts that dipped into mercury in some ceramic containers. In our medical history collection we had devices for counting thrombocytes in blood samples that operated with open mercury. However small, given that mercury evaporates at room temperature, even small outlets are an issue! There were barometers and even chronometers with open mercury sources. It was quite an effort to find out which sources we had. Even more to either remove or contain the mercury and seal and label the contaminated objects properly.
We learned quite a few lessons along the way:
- Never assume you know everything about your collection
- Never assume your policies and procedures cover every aspect
- Never assume that you are safe, keep an eye on recent research
But maybe the most important lesson was about the importance of good documentation. And we learned it the hard way.
All expert knowledge at hand, but still…
Looking back, if someone had thoroughly researched the working principles of said objects, he or she would have discovered that they needed mercury to work. We don’t know if someone knew this when the objects were acquired. At least whoever did it, didn’t mention that they contained mercury in the documentation and the catalog entry.
The curator might know best that mercury was necessary to make an object work, but might not be aware that mercury is a problem. The conservator has, due to his or her education, deep knowledge about dangerous substances but not about the object and might not see the object before it is stored if it is in good condition. Even if he or she checks its condition before it goes off to storage, the mercury might be hidden inside, so the conservator isn’t aware of the danger. The collections manager has some knowledge about dangerous substances but not about the object and might not be able to spot the danger if it isn’t widely known to his/her profession (like arsenic in taxidermied specimen is). The database manager has the knowledge about how to make dangerous substances retrievable in the database and maybe even know how to label them properly, but again, as he or she doesn’t have knowledge about the object, he or she doesn’t know there’s a problem.
Although all the experts work for the same institution, if they don’t assess the object together and bring their knowledge together, they are likely to overlook a danger and impose a health risk on colleagues, future researchers and visitors.
The importance of knowledge in cataloging
It is also obvious how dangerous it is when whoever is doing the catalog entry doesn’t have indeep knowledge about the objects. There is a tendency in museums to think that cataloging is a task that can be done by “whoever”. Knowledge isn’t important, every intern can key in a short description and some measurements, right? Of course we all know that’s nonsense, but arguing against it is tough. It’s hard to communicate what damage it does if dates, measurements and categorizations aren’t correct. With hazardous materials the danger should be obvious: someone doing the catalog entry who hasn’t enough knowledge to understand the working principles is likely to overlook the danger and therefore imposes a life threat to his or her colleagues and visitors.
If the curator can’t do the catalog entry him-/herself for a good reason (And: no, being too lazy/old/busy to learn how to do it isn’t a good reason, at least in my book!) he or she has to share his/her knowledge about the object with whoever does the catalog entry.
How to do it betterThere are a few things that can be done to avoid unpleasant surprises:
- When an object is acquired, consult with everyone involved in the process. All the expert knowledge at one table will help to discover as many potential hazards as possible.
- If you are a one woman/man museum, make sure to reach out to experts in your area, your regional museum association or international experts via listservs and online groups to learn about the possible dangers your new acquisition contains.
- If the hazard is new, define safety precautions in handling and storage. If the hazard is long known, make sure your handling and storage precautions are still up to date with current research.
- In the database: make sure the hazardous material is named. In an ideal setting you do have a thesaurus of dangerous substances to pick from which are linked to safety precautions and correct labeling.
- In the database: make sure an object that contains dangerous substances is clearly distinguishable from other objects so everybody is aware that there might be special handling and storage precautions.
- In the storage: label dangerous substances according to international standards.
- In the storage: store hazardous materials according to the safety precautions. This might involve special containers or rooms with a ventilation system and handling instructions clearly visible on the container.
Live long and prosper!
This post is also available in: German